This year’s Borealis commission was composed by the acclaimed Sámi composer, musician, and joiker Sara Marielle Gaup.
Nana Nannán – Solid Soil is a work anchored in solid soil and deeply connected to nature. Gaup’s process has involved listening closely to the natural world around her in Sápmi, discovering the luohti (melodies) of natural elements she had not yet learned. This reciprocal communication between people, places, entities, and other beings translates the energies of the environment into music.
The work is rooted in the soundworld of Gaup’s raw joik style, which allows her to connect with older tradition-bearers while simultaneously forging new musical pathways. As a cyclical form of expression, joik -luohti allows the work to reflect continuity and renewal.
Nana Nannán – Solid Soil embodies Gaup’s dialogue with nature and was created specifically for the intimate listening Jiennagoahti as a space offers, inviting audiences to engage closely with the work and the surrounding environment.
Commissioned by Borealis with the Truth and Reconciliation Commission’s 2023 report as a backdrop, the project reflects Borealis’ ongoing commitment to exploring Sámi sonic experimentalism and demonstrates how new forms of sound and music can engage with the resurgence of culture and language following colonial policies of erasure.
Visual art (dajdda) and duodji:
As part of Jiennagoahtis’s inauguration, we received funding from Sámediggi-The Sámi parliament to acquire art-and duoddji works by Joar Nango, Unna Girje Gumpi, a guest book by Hans Ragnar Mathisen, Čohkkát-gáma by Máret Rávdna Buljo and a rákkas (sleeping tent) created by Katarina Spik Skum.
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Program curation 2025-2026.
The sound-works presented in Jiennagoahti in 2024-2025 are curated by Sážžá Káhtariinná/Katarina Dorothea Isaksen, a Bergen-based artist/filmmaker from Sážža/Senja and artist/composer Elin Már Øyen Vister (NO), based on Røst in Lofoten/Lofuohtta, Sábme (Northern Norway) as well as the Borealis festival.
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